IFDB page:Alien Abduction? Final placement: 9th place (of 26) in the 1996 Interactive Fiction Competition
Really provocative premise. Loved the Twilight Zone feel of things, and finding out more about character’s (and character’s father’s) past worked quite effectively. On the downside, some fairly significant omissions (including an axe but not implementing “chop” or “cut”, making a puzzle where a significant portion keeps responding “that’s not important” [this is the spring arm on the contraption & the axe], having the laughable response “It’s not effective to attack with the axe.”)
Prose: Generally effective, and sometimes quite chilling. A bit of awkwardness shows through at times, but never enough to jar.
Difficulty: Except for one major “guess the verb” puzzle (the springarm), this was pretty straightforward. The most difficult part for me (aside from the springarm) was figuring out to get a “real” axe first.
Technical (coding): Some errors including no response to putting things in cylinder, TADS errors on taking shapes. Much was anticipated, but some significant things were not. Could use another round of beta testing.
Technical (writing): Virtually no spelling or grammar errors jumped out. Well-proofed work.
Plot: Outstanding. With the exception of a somewhat disappointing ending (though justifiable — I just crave closure), AA gave a hint of how truly chilling suspense-oriented IF can be. The premise, the way information was slowly released, the drama & emotional intensity were really all quite strong. This was definitely the most enjoyable aspect of the game.
Puzzles: One or two quite clever (the duck), most well-oriented to moving the plot along. The “aliens testing your mental capacity” was an excellent pretense for puzzles. Hints were generally quite well-done, and with the exception of the springarm thing, puzzles were overall pretty good.
IFDB page:Aayela Final placement: 10th place (of 26) in the 1996 Interactive Fiction Competition
This review was written more as a series of notes than an actual review. It wasn’t until later in the process of playing the competition entries that I arrived at the style of reviewing each game in detail. My apologies to Magnus for providing such an incomplete evaluation. My main memory of Aayela was that crawling in dark is an interesting device which could make for an intense episode in a longer game (and, in fact, already has in the case of So Far.) As the bulk of this game, it made for an interesting experiment.
Prose: Often good, sometimes a bit over the top. Crawling in the dark hearing ethereal chords is unfortunately a bit reminiscent of So Far. Especially unfortunate if the design of Aayela preceded So Far.
Difficulty: Quite easy actually. An enjoyable vignette.
Technical (coding): Enjoyed being able to feel and smell. Most commands were anticipated quite well. One or two TADS error instances.
Technical (writing): One or two rather glaring mistakes (“an insisten breeze”). On the whole quite proficient.
Plot: Very simple, but serves its purpose.
Puzzles: Again quite simple, but vividly rendered.
The 1995 IF Competition knocked me out. That year, the comp was split (for the first and only time) into two divisions: Inform and TADS. Both of the winning games were fantastic, and the “finishable in two hours” rule broke them out of the Infocom mold that had thus far dictated almost all amateur IF.
The Infocom canon still dominated my own mindset and outlook on IF at that time. I’ll break out phrases like “Infocom-level prose”, and reference various Infocom games to provide a frame of reference for my views on the comp games. 1996 was also the year that Activision released Classic Text Adventure Masterpieces of Infocom, a CD-ROM collection of every Infocom game plus the top 6 games from the 1995 IF Competition. The fact that those amateur games could get the “official” Infocom imprimatur took my breath away. I wanted in, badly.
In 1996, I submitted my own game to the comp, Wearing The Claw. I also decided I’d play and submit scores for every game that had been entered. I did so, running through the games in alphabetical order by filename, which worked out to almost alphabetical order by game, but not quite. So that I could decide what scores to give, I took notes during gameplay, tracking how well the game measured up in categories like prose, puzzles, plot, technical achievement, and so forth.
Having seen reviews posted for the 1995 games, and hoping for a lot of feedback on my own work, I decided quickly to turn my notes into “reviews”, but as the scare quotes should tell you, they’re not exactly worthy of the name, especially the early ones. Even through the process of writing about the games, I was learning how I wanted to write about the games, which was sadly a little inequitable for the games that fell in the early part of the alphabet, and especially for the one that started with “Aa”. Sentence fragments abound, and much of what I wrote was more for myself than anyone else.
By the time I got to the final game, Tapestry, which was brilliant and ended up taking second place, I’d developed a more coherent approach. That approach would also change over the years, but at least it didn’t shortchange Daniel Ravipinto the way that it had Magnus Olsson, author of Aayela. That said, I’ve cleaned up these reviews a little, at least standardizing the punctuation and capitalization.
For the 1996 comp game reviews, I’ll provide the following:
IFDB page
Final comp placement
Intro sentences
Assessments of the following attributes:
Prose
Difficulty
Technical achievement, split into writing and coding subcategories
Plot
Puzzles
Overall score
I originally posted my reviews for the 1996 IF Competition games on December 3, 1996.
From 1996 to 2004, I reviewed almost every game submitted to the IF Competition. There were a few exceptions, though:
My own games, for obvious reasons.
The games for which I was a beta tester: Mother Loose and All Roads. Both of these games were excellent, but I didn’t review them since I felt like I’d influenced them.
The 1996 game Promoted!, which required the OS/2 operating system to run. (Though it has since been ported to Inform.)
The 2000 games Infil-Traitor and Happy Ever After, which had known bugs that required recompilation before the games were viable. I’m a bit persnickety about playing games in the state in which they were submitted on the deadline day, and I viewed those games as ineligible based on their initial brokenness.
Games written by newsgroup trolls (defined by me as people who have made multiple, unprovoked, personal attacks on newsgroup regulars), which I didn’t have the ability or inclination to review fairly.
Everything else, though, will be showing up here. I’m going to add every review as its own post, even though that will sometimes make for some pretty short posts, especially for reviews from the earlier years, before I came into my full superverbosity. My reason for this is that I’d like to be able to link directly to a review, rather than an anchor tag on a page full of reviews. I’m planning to add pages here that index all the games both by comp year and overall, and it will be way easier if each review is self-contained.
I’m also going to be leaning heavily on the wonderful Interactive Fiction Database, which contains a comprehensive catalog of interactive fiction works. For each game, I’ll provide a link to its IFDB page, and anytime I reference a game I’ll link to IFDB, just as I have above. I would love it if these posts can bring attention to some of the wonderful IF of the past. (Or even some of the dire IF of the past, if that’s for some reason what you fancy.)
Like much of >INVENTORY, my approach will be a bit experimental, and I expect to learn and iterate as I go. At the very least, I want to indicate which year’s comp contained the game, who wrote it, how it placed, and what score I gave it. A note about my scoring — although competition scores are always submitted as integers from 1 to 10, my own reviews add one decimal place to that score, because I often found that I wanted to express a bit more nuance. A high 7 feels different (to me) from a low 7… y’know? For the purposes of my submitted scores, I’d always round up on .5, so for example that lowest possible 7 would be 6.5, and the highest possible 7 would be 7.4. I also made it my practice to stop playing after two hours, whether I was finished or not, and base my score and review on that two-hour (or less) experience.
One last thing — from 1997 onwards, the competition game package came with a tiny little program that would provide you with a list of the games in randomized order. Like most judges, I can’t help but be influenced by the order in which I experience things, and playing the 1996 games in alphabetical order by title may have unfairly influenced some scores. Consequently, I always played the games thenceforward in a random order to eliminate that bias.
I will be posting my comp game reviews in the order I played them. As time went on, that sequence became a journey in itself, and reviews of later games would be influenced by reviews of earlier games. Never fear, the site will be searchable, and I’ll provide pages which list the games alphabetically.
I started writing reviews of interactive fiction games in 1996. I think it’s only old people who start stories with, “In those days…”, but apparently the shoe fits, so in those days, the IF community was small, cohesive, and centered in a couple of Usenet newsgroups: rec.arts.int-fiction and rec.games.int-fiction. For those who weren’t there, newsgroups were essentially discussion forums, consisting wholly of text — posts and threads. “Arts” was about creating IF, and “games” was about playing it. (“Rec” meant “recreation” — there were various top-level hierarchies that… you know what, it doesn’t matter.)
The text-only medium of newsgroups was perfect for text adventure aficionados, and while they thrived, those groups were the fertile soil from which sprung many of the pillars that support even today’s IF scene: Inform, TADS, the IF Archive, and most importantly for my purposes, the Interactive Fiction Competition.
The comp, as it was affectionately known, started in 1995 as a way to spur the creation of more short IF — see in those days most authors were trying to ape Infocom by writing long, puzzly games that would have fit nicely onto store shelves in 1985. The comp changed that, dramatically. Kevin Wilson, founder of the comp, gave it just one rule: every game had to be winnable in under two hours. The first year saw 12 games entered. The next year: 26. And it took off from there.
A Change In The Weather, winner of the first IFComp, Inform division
I was on fire for IF in those days. I couldn’t get enough of the newsgroups, the games, the languages. I spent my nights immersed in learning Inform, creating little worlds and gleefully walking around in them. The competition was the perfect opportunity for me to actually finish one of these virtual puzzleboxes and send it out into the world in hopes of feedback. That first attempt was called Wearing The Claw, and while I find it rather cringey to look back on now, it did at least land in the upper half of the 1996 comp — 8th place. And boy did I get a lot of feedback on it!
In those days, you see, there was a strong culture of feedback in place, and the comp helped that culture grow explosively. Tons of people would review the comp games, and as an author, you could get a cornucopia of input that would help you understand where you went right this time and how to do better next time. It was invaluable, and I wanted to be part of it, so I reviewed every 1996 comp game.
Then I reviewed every comp game (with a few exceptions) every year all the way up through 2004, which not coincidentally was the year before my son was born. I also wrote reviews of various other IF and IF-adjacent games, and spent several years editing a text adventure webzine called SPAG.
For a couple of decades now, those reviews and writings have been housed on the personal web site I created back in the 90s with my trusty copy of HTML For Dummies. However, my crystal ball tells me that this web site’s days may be numbered. It lives on a legacy server at the University of Colorado (where I still work), and nobody is super excited about hosting old student websites from the 20th century anymore. Plus, those old reviews are absolutely festooned with dead links and ugly typography.
Enter >INVENTORY. This blog will eventually house all my writing about IF, including every comp review, every IF-Review entry, every XYZZY Awards solicited review, and everything else I can think of. >SUPERVERBOSE will remain my primary blog, and new writing about IF will go there as well as here, but >INVENTORY, as its name suggests, will house the exhaustive trove that currently lives on my old web site.
As time permits, I’ll be transferring comp reviews into this blog, where they can be searched, indexed, googled, and so forth. Once that project is done, I’ll start on all the other IFfy stuff I’ve written over the years. It’s quite possible I’ll append some of it with reflections or current thoughts as the mood strikes me.
In my first innocent post to rec.games.int-fiction, I called myself “a major devotee of IF.” While many other passions have laid their claims upon my time, that fire still smolders inside me, and I look forward eagerly to revisiting the many happy hours I spent with IF games and IF arts. As with everything I write, I hope it proves enjoyable and/or useful to somebody else out there too.
